Londres
Nederlander Theatre
Broadway - Etats-Unis
Construction: 1921
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (1232) 1921 - Actif
Accès
En métro:
En bus:
Adresse: 208 W. 41st St., New York, NY
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Nederlander Organization
Remarquable
1232
1921 - Actif
William Neil Smith, architect. Built by Walter C. Jordan and managed by the Shuberts, who bought it in 1927. They sold it (during a U.S. antitrust investigation) to Billy Rose, who refurbished it, renamed it after himself, and reopened it in 1959. The Nederlander Organization bought it in 1978 and it soon bore their name (1980). It was a church from 1987 to 1989, when it returned to legit use.
Musical
Original
1) Pretty Woman: The Musical (Original)
Joué durant actuellement
Nb de preview: 27 previews
Première preview: ven. 20 juillet 2018
Première: jeu. 16 août 2018
Dernière: Open end
Compositeur: Bryan Adams • Jim Vallance •
Parolier: Bryan Adams • Jim Vallance •
Libettiste: Gary Marshall • J.F. Lawton •
Metteur en scène: Jerry Mitchell •
Chorégraphe:
Avec: Samantha Barks (as Vivian Ward), Andy Karl (as Edward Lewis), Orfeh (as Kit De Luca), Jason Danieley (as Phillip Stuckey), Eric Anderson (as Mr. Thompson), and Ezra Knight (as James Morse)
Commentaire:
Presse: "Let me make it clear that I mean no disrespect to Ms. Barks when I say that she is not Julia Roberts. Best known for playing the waifish Éponine in the movie musical Les Misérables, Ms. Barks is clearly a talented singer and actress. But being used as a paper doll for Gregg Barnes’s “I Love Julia” costumes, while speaking verbatim Ms. Roberts’s lines from the film, she has been given no chance to banish stardust memories of the woman who created her part. Directed and choreographed as if on automatic pilot by Jerry Mitchell, Pretty Woman: The Musical has a book by the original film's director, Garry Marshall (who died in 2016), and screenwriter, J.F. Lawton, with songs by Bryan Adams and Jim Vallance. Its creators have hewed suffocatingly close to the film’s story, gags and dialogue." Ben Brantley for New York Times
"The cast makes the most of what Pretty Woman allows them. The winsome Barks, who played Éponine in the movie Les Misérables, sings very well and has a believable connection with Karl, who undersells his sexiness wisely. Orfeh provides sass and power vocals as Vivian’s best friend, Jason Danieley is a solidly smarmy villain, and Eric Anderson injects humor and showmanship into his dual roles as a street-singing narrator and a benevolent hotel manager. But although it is capably staged, the show has no reason to exist beyond, one assumes, a desire to make money by pimping out a familiar property. Broadway can do better than the same old tricks." Adam Feldman for Time Out New York
"In truth, the singing is all well and good, but considering the evolution of gender politics over the last 30 years, Pretty Woman today comes off pretty tone deaf." Roma Torre for NY1
"End-of-the-'80s nostalgia rules at the Nederlander Theatre, where the cut-and-paste musical version of Garry Marshall's 1990 romantic comedy, Pretty Woman, is re-creating the cultural-touchstone movie beat for beat, set to a score by Bryan Adams and songwriting partner Jim Vallance that could easily pass for vintage FM-radio pop-rock singles. Just as the film was a stellar vehicle for Julia Roberts, the musical showcases a radiant performance from Samantha Barks as the Hollywood Boulevard prostitute that becomes the "beck and call girl" of a corporate raider. True to the famous closing scene that launched a squillion swoons, he rescues her and "she rescues him right back."" David Rooney for Hollywood Reporter
"With anything mature or sensual systematically removed, Pretty Woman: The Musical goes all-in on fantasy, casting two sizzling talents, Samantha Barks and Andy Karl, as bland, pretty people singing pretty Bryan Adams-Jim Vallance tunes with nothing much at stake. Stubbornly inconsequential, it’s a morally uplifting fairy tale of which everyone, young and old alike, can be skeptical." Bob Verini for Variety
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Musical
Original
18) War Paint (Original)
Joué durant 7 mois
Nb de preview: 33 previews
Nb de représentations: 236 représentations
Première preview: 07 March 2017
Première: 06 April 2017
Dernière: 05 November 2017
Compositeur: Scott Frankel •
Parolier: Michael Korie •
Libettiste: Doug Wright •
Metteur en scène: Michael Greif •
Chorégraphe: Christopher Gattelli •
Avec: Patti LuPone (Helena Rubinstein), Christine Ebersole (Elizabeth Arden), John Dossett (Tommy Lewis), Douglas Sills (Harry Fleming)
Commentaire: War Paint arrives on Broadway following an acclaimed Chicago run, where it became the highest grossing show in the Goodman Theatre's history.
A Broadway pairing for the ages, War Paint pits Patti LuPone against Christine Ebersole in this powerful tale of cosmetic giants Elizabeth Arden and Helena Rubinstein. (plus)
Presse: "Ms. LuPone and Ms. Ebersole (notice how tactfully I’m shifting the order in which they’re mentioned) are not coasting on the market value of their star appeal. They’re strategically deploying the knowledge and craft of a combined eight decades in musicals to make us believe that the show in which they appear is moving forward, instead of running in place in high heels... So, though my eyes occasionally glazed seeing 'War Paint' for the second time, I wouldn’t have missed it, if only to hear its leading ladies’ climactic ballads." Ben Brantley for New York Times
"LuPone’s performance is slathered in gusto. Ebersole’s turn is creamier than any emollient. They’re so good, you wish the show were better. As is, it’s polished to a high shine but bland and scarcely skin deep. And it took not one but two source materials to produce this." Joe Dziemianowicz for New York Daily News
"David Korins’s set and Catherine Zuber’s costumes complement the musical at every turn, and Michael Greif's direction keeps it moving efficiently along. But the show doesn’t make a persuasive case that its stories must be told." Adam Feldman for Time Out New York
"Two Broadway greats in a classy vehicle worthy of their immense talents." David Rooney for Hollywood Reporter
"'War Paint' is a musical about Catherine Zuber’s fabulous costumes and magnificent hats, as modeled by the great Patti LuPone as Helena Rubinstein, and her Highness, Christine Ebersole as Elizabeth Arden. And if those hallowed names mean nothing to you, this is not your show." Marilyn Stasio for Variety
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Musical
Return Engagement
17) Motown: The Musical (Return Engagement)
Joué durant 2 semaines
Nb de représentations: 24 représentations
Première preview: 12 July 2016
Première: 12 July 2016
Dernière: 31 July 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: Berry Gordy •
Metteur en scène: Charles Randolph-Wright •
Chorégraphe: Patricia Wilcox • Warren Adams •
Avec: Chester Gregory (Berry Gordy), Allison Semmes (Diana Ross), Jesse Nager (Smokey Robinson), Jarran Muse (Marvin Gaye), and J.J. Batteast / Leon Outlaw, Jr. (Young Berry Gordy/Stevie Wonder/Michael Jackson)
Commentaire: DID YOU KNOW?
Berry Gordy nearly turned down the Jackson Five, because he didn't want to work with kids. It was Gladys Knight who eventually pursuaded him to sign them, a year later! (plus)
Presse: "Under Charles Randolph-Wright’s direction, it remains what it was: a sparkling and enjoyable, if lumpy, journey through 25 years of Motown history. It’s just that the climax of the first act, and the opening minutes of the second, give the show a jolt of emotional currency that contrasts strikingly with its nostalgic spirit." Charles Isherwood for New York Times
"Like the legendary music catalog from Motown, the revival that re-opened Thursday night at the Nederlander Theatre is alternately catchy and soulful, and overstuffed with memorable melodies." Jennifer Farrar for The Associated Press
"The hits just keep on coming in this formulaic but audience-pleasing show." Frank Scheck for The Hollywood Reporter
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Musical
Original Broadway
16) Disaster! (Original Broadway)
Joué durant 3 mois 3 semaines
Première preview: 09 February 2016
Première: 08 March 2016
Dernière: 03 July 2016
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: Jack Plotnick • Seth Rudetsky •
Metteur en scène: Jack Plotnick •
Chorégraphe: Denis Jones •
Avec: Roger Bart (Tony), Kerry Butler (Marianne), Kevin Chamberlin (Maury), Adam Pascal (Chad), Faith Prince (Shirley), Rachel York (Jackie), Seth Rudetsky (Ted Scheider), Jennifer Simard (Sister Mary Downy), Max Crumm (Scott), Lacretta Nicole (Levora), Baylee Littrell, Paul Castree, Manoel Felciano, Casey Garvin, Travis Kent, Alyse Alan Louis, Maggie McDowell, Olivia Phillip et Catherine Ricafort
Commentaire:
Presse:
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Musical
Original
15) Newsies (Original)
Joué durant 2 ans 4 mois 4 semaines
Nb de preview: 16 previews
Nb de représentations: 1004 représentations
Première preview: 15 March 2012
Première: 29 March 2012
Dernière: 24 August 2014
Compositeur: Alan Menken •
Parolier: Jack Feldman •
Libettiste: Harvey Fierstein •
Metteur en scène: Jeff Calhoun •
Chorégraphe: Christopher Gattelli •
Avec: Jeremy Jordan (Jack Kelly), Andrew Keenan-Bolger (Crutchie), Ryan Breslin (Race), Garett Hawe (Albert, Bill), Ryan Steele (Specs), Kyle Coffman (Henry), Aaron J. Albano (Finch), Evan Kasprzak (Elmer), Andy Richardson (Romeo), Ephraim Sykes (Mush), Kara Lindsay (Katherine), Thayne Jasperson (Darcy), Julie Foldesi, Capathia Jenkins, and Laurie Veldheer (Nuns), Mike Fiast (Mor- ris Delancey), Brendon Stimson (Oscar Delancey), John E. Brady (Wiesel, Stage Manager, Mr. Jacobi, Mayor), Ben Fankhauser (Davey), Lewis Grosso and Matthew J. Schechter (both alternated in the role of Les, and it seems Grosso played Les on opening night), John Dossett (Joseph Pulitzer), Mark Aldrich (Seitz), Nick Sullivan (Bunsen), Laurie Veldheer (Hannah), Stuart Marland (Snyder), Capathia Jenkins (Medda Larkin), Tommy Bracco, Jess LeProtto, and Alex Wong (Scabs), Tommy Bracco (Spot Conlon), Kevin Carolan (Governor Roosevelt); Citizens of New York: Aaron J. Albano, Mark Aldrich, Tommy Bracco, John E. Brady, Ryan Breslin, Kevin Carolan, Kyle Coffman, Mike Faist, Julie Foldesi, Garett Hawe, Thayne Jasperson, Evan Kasprzak, Jess LeProtto, Stuart Marland, Andy Richardson, Ryan Steele, Brendon Stimson, Nick Sullivan, Ephraim Sykes, Laurie Veldheer, Alex Wong
Commentaire:
Presse:
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Musical
Original Broadway
14) Million Dollar Quartet (Original Broadway)
Joué durant 1 an 2 mois
Nb de preview: 34 previews
Nb de représentations: 488 représentations
Première preview: 13 March 2010
Première: 11 April 2010
Dernière: 12 June 2011
Compositeur:
Parolier:
Libettiste:
Metteur en scène: Eric Schaeffer •
Chorégraphe:
Avec: Elvis Presley ... Eddie Clendening / Johnny Cash ... Lance Guest / Jerry Lee Lewis ... Levi Kreis / Carl Perkins ... Rob Lyons / Sam Phillips ... Hunter Foster / Dyanne ... Elizabeth Stanley / Jay Perkins ... Corey Kaiser
Commentaire: The musical was nominated for three 2010 Tony Awards: Best Musical, Best Book of a Musical and Best Performance by a Featured Actor in a Musical for Levi Kreis. Kreis won the award for Best Featured Actor for his portrayal of Jerry Lee Lewis. (plus)
Presse: "There’s a lot to like about this relatively scrappy variation on a familiar theme."
Charles Isherwood for New York Times
"Four guys alternating at a microphone isn't a Broadway musical."
Joe Dziemianowicz for New York Daily News
"The performances themselves are merely adequate."
Elisabeth Vincentelli for New York Post
"You're better off staying home and taking some old records off the shelf."
Elysa Gardner for USA Today
"A jam session periodically interrupted by desperate attempts to whip up some drama."
John Simon for Bloomberg
"When the curtain call is the most exciting part of a show, it’s definitely a problem."
David Sheward for Back Stage
"The music from the dawn of rock still packs a joyous wallop."
Robert Feldberg for The Record
"Several hunks of musical history are served hot and juicy."
Michael Sommers for Newsroom Jersey
"If the story, .., is elemental and often a bit awkward, the musical performances are not."
Michael Kuchwara for Associated Press
"Wildly entertaining show."
Frank Scheck for The Hollywood Reporter
"A crowdpleaser that mixes jukebox and story into a satisfying whole."
Steven Suskin for Variety
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Musical
Revival
13) Guys and Dolls (Revival)
Joué durant 3 mois 2 semaines
Nb de preview: 28 previews
Nb de représentations: 121 représentations
Première preview: 05 February 2009
Première: 01 March 2009
Dernière: 14 June 2009
Compositeur: Frank Loesser •
Parolier: Frank Loesser •
Libettiste: Abe Burrows • Jo Swerling •
Metteur en scène: Des McAnuff •
Chorégraphe: Sergio Trujillo •
Avec:
Commentaire:
Presse: The show opened to generally negative reviews. The New York Times called it "static" and "uninspired", the New York Post said, "How can something so zippy be so tedious?" and Time Out New York wrote, "Few things are more enervating than watching good material deflate." However, the show received a highly favorable review from The New Yorker, and the producers decided to keep the show open in hopes of positive audience response. The New York Post reported on March 4 that producer Howard Panter "[said] he'll give Guys and Dolls at least seven weeks to find an audience."
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Musical
Original Broadway
12) Rent (Original Broadway)
Joué durant 12 ans 4 mois 2 semaines
Nb de preview: 16 previews
Nb de représentations: 5123 représentations
Première preview: 16 April 1996
Première: 29 April 1996
Dernière: 07 September 2008
Compositeur: Jonathan Larson •
Parolier: Jonathan Larson •
Libettiste: Jonathan Larson •
Metteur en scène: Michael Greif •
Chorégraphe: Marlies Yearby •
Avec: Mark ... Anthony Rapp / Roger ... Adam Pascal / Mimi ... Daphne Rubin-Vega / Collins ... Jesse L. Martin / Angel ... Wilson Jermaine Heredia / Maureen ... Idina Menzel / Joanne ... Fredi Walker / Benny ... Taye Diggs / SOLoist #1 ... Gwen Stewart / SOLoist #2 ... Byron Utley
Commentaire:
Presse:
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Musical
Original
11) Wind in the willows (Original)
Joué durant
Nb de preview: 25 previews
Nb de représentations: 4 représentations
Première preview: 26 November 1985
Première: 19 December 1985
Dernière: 22 December 1985
Compositeur: William Perry •
Parolier: Roger McGough • William Perry •
Libettiste: Jane Iredale •
Metteur en scène: Tony Stevens •
Chorégraphe: Margery Beddow •
Avec:
Commentaire:
Presse:
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Le théâtre devient le "Nederlander Theatre" le 20 octobre 1980
Le théâtre devient le "Trafalgar Theatre" le 17 avril 1979
Théâtre
Revival
10) Private lives (Revival)
Joué durant 5 mois 3 semaines
Nb de preview: 2 previews
Nb de représentations: 198 représentations
Première preview: 04 December 1969
Première: 04 December 1969
Dernière: 30 May 1970
Compositeur:
Parolier:
Libettiste: Noël Coward •
Metteur en scène: Stephen Porter •
Chorégraphe:
Avec: Brian Bedford (Elyot Chase), David Glover (Victor Prynne), Tammy Grimes (Amanda Prynne), Suzanne Grossman (Sybil Chase), J. J. Lewis (Louise)
Commentaire: Billy Rose Theatre (Nederlander Theatre): 4/12/1969 > 25/4/1970
Broadhurst Theatre: 27/4/1970 > 30/5/1970 (plus)
Presse:
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Musical
Revival
9) Opéra de quat'sous (Revival)
Joué durant 1 semaine
Nb de représentations: 13 représentations
Première preview: 27 October 1966
Première: 27 October 1966
Dernière: 06 November 1966
Compositeur: Kurt Weill •
Parolier: Bertolt Brecht • François Villon •
Libettiste: Bertolt Brecht •
Metteur en scène: Michael Meschke •
Chorégraphe: Holger Rosenquist •
Avec: Per Nielsen (Macheath), Ellika Linden (Polly Peachum/Jenny), Ulf Hakan Jansson (Jonathan Jeremiah Peachum), Lydia de Lind van Winjngaarden (Lucy Brown), Zanza Lidums (Mrs. Peachum), Jan Blomberg (Matt of the Mint), Arne Hogsander (Streetsinger/Charles Filch/Tiger Brown/Smith), Michael Meschke (Walt Dreary), Heinz Spira (Jake), Folke Tragardh (Sawtooth Bob)
Commentaire: Une version marionnette du musical. Les marionnettes étaient des figurines découpées actionnées par des acteurs derrière. (plus)
Presse:
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Musical
Original
8) A Family Affair (Original)
Joué durant 1 mois 3 semaines
Nb de preview: 5 previews
Nb de représentations: 65 représentations
Première preview: 24 January 1962
Première: 27 January 1962
Dernière: 25 March 1962
Compositeur: John Kander •
Parolier: James Goldman • John Kander •
Libettiste: James Goldman • William Goldman •
Metteur en scène: Harold Prince •
Chorégraphe: John Butler •
Avec:
Commentaire:
Presse:
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Le théâtre devient le "Billy Rose Theatre" le 18 octobre 1959
Musical
Original
7) Call Me Mister (Original)
Joué durant 1 an 11 mois 3 semaines
Nb de représentations: 734 représentations
Première preview: 18 January 1946
Première: 18 January 1946
Dernière: 10 January 1948
Compositeur: Harold Rome •
Parolier: Harold Rome •
Libettiste: Arnold M. Auerbach •
Metteur en scène: Robert H. Gordon •
Chorégraphe:
Avec: Cast: Betty Garrett, Jules Munshin, Bill Callahan, Lawrence Winters, George Hall, Harry Clark, Paula Bane, Maria Karnilova, Alan Manson, Danny Scholl, Betty Lou Holland, David Nillo, Chandler Cowles, George (S.) Irving, Glenn Turnbull, Ruth Feist, Kate Friedlich, Virginia Davis, Alvis Tinnin, Joe Calvin, Steve Allison, Robert Baird, Henry Lawrence, Sid Lawson, Howard Malone, Ward Garner, Eugene Tobin, Francis Dometrovich, Tommy Knox, Peter Fara, William Mende, Edward Silkman, Roy Ross, Alex Dunaeff, Bettye Durrence, Shellie Filkins, Darcy Gardner, Betty Lorraine, Rae MacGregor, Patricia Penso, Evelyn Shaw, Fred Danieli, Kevin Smith, Joan Bartels, Betty Gilpatrick, Bruce Howard, Marjorie Oldroyd, Doris Parker, Paula Purnell
Commentaire: National Theatre (18 avril 1946 - 19 juillet 1947)
Majestic Theatre (21 juillet 1947 - 4 octobre 1947)
Plymouth Theatre (6 octobre 1947 - 10 janvier 1948) (plus)
Presse:
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Musical
Original
6) Day before spring (The) (Original)
Joué durant 4 mois 3 semaines
Première preview: Inconnu
Première: 22 November 1945
Dernière: 13 April 1946
Compositeur: Frederik Loewe •
Parolier: Alan Jay Lerner •
Libettiste: Alan Jay Lerner •
Metteur en scène: John C. Wilson •
Chorégraphe: Anthony Tudor •
Avec: Katherine Townsend … Irene Manning
Peter Townsend … John Archer
Alex Maitland … Bill Johnson
Gerald Barker … Tom Helmore
May Tompkins … Lucille Benson
Bill Tompkins … Bert Freed
Christopher Randolph … Patricia Marshall
Alex (in book) … Hugh Laing
Katherine (in book) … Mary Ellen Moylan
Eddie Warren … Dwight Marfield
Joe McDonald … Don Mayo (i)
Harry Scott … Robert Field
Voltaire … Paul Best
Plato … Ralph Glover
Freud … Hermann Leopoldi
Lucille/Vocal Ensemble … Bette Anderson
Leonore/Vocal Ensemble … Lucille Floetman
Susan/Vocal Ensemble … Arlouine Goodjohn
Marie/Vocal Ensemble … Karol Loraine
Marjorie/Vocal Ensemble … Estelle Loring
Anne/Vocal Ensemble … Betty Jean Smythe
Commentaire:
Presse:
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Musical
Original
5) What's up (Original)
Joué durant 1 mois 3 semaines
Nb de représentations: 63 représentations
Première preview: Inconnu
Première: 11 November 1943
Dernière: 04 January 1944
Compositeur: Frederik Loewe •
Parolier: Alan Jay Lerner •
Libettiste: Alan Jay Lerner • Arthur Pierson •
Metteur en scène: George Balanchine •
Chorégraphe: George Balanchine •
Avec:
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Théâtre
Original
4) Return of the Vagabond (The) (Original)
Joué durant
Nb de représentations: 7 représentations
Première preview: 17 May 1940
Première: 17 May 1940
Dernière: 18 May 1940
Compositeur:
Parolier:
Libettiste: George M. Cohan •
Metteur en scène: Sam Forrest •
Chorégraphe:
Avec: Florenz Ames (The Banker), E. J. Blunkall (The Tavern Keeper), Marshall Bradford (Another Stranger), John Cherry (The Doctor), George M. CohanMarie Louise Dana (His Wife), Gretchen Davidson (His Daughter-in-law), Fred Herrick (His Son), Len Hollister (The Captain), Celeste Holm (His Daughter), George Leach (His Assistant), Dona McClelland (A Stranger), Edward McNamara (The Sheriff), John Morny (His Son-in-law), McKay Morris (The Govenor), Henry Sherwood (The Coachman), George W. Smith (The Cop), George Thornton (A Little Stranger), Joe Verdi (The Italian)
Commentaire:
Presse:
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Théâtre
Revival
3) Seven Keys to Baldpate (Revival)
Joué durant 1 semaine
Nb de représentations: 8 représentations
Première preview: 27 May 1935
Première: 27 May 1935
Dernière: June 1935
Compositeur:
Parolier:
Libettiste: George M. Cohan •
Metteur en scène: Sam Forrest •
Chorégraphe:
Avec: George Christie (Thomas Hayden), George M. Cohan (William Hallowell McGee), Francis Conlan (Elijah Quinby), Allen Delano (Second Policeman), Ernest GlendinningWalter Hampden (Hal Bentley), Josephine Hull (Mrs. Quinby), Zita Johann (Mary Norton), James Kirkwood (Jiggs Kennedy), Ben Lackland (Lou Max), Edward MacNamara (Jim Cargan), Percy Moore (First Policeman), James T. Powers (Peters), Irene Rich (Mrs. Rhodes), Ruth Weston (Myra Thornhill)
Commentaire:
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Théâtre
Original
2) Yellow (Original)
Joué durant 3 mois 1 semaine
Nb de représentations: 135 représentations
Première preview: 21 September 1926
Première: 21 September 1926
Dernière: January 1927
Compositeur:
Parolier:
Libettiste: Margaret Vernon •
Metteur en scène: George M. Cohan • John Meehan •
Chorégraphe:
Avec: Harry Bannister (Inspector Graney), Frank Burbeck (An Old Roue), Eva Casanova (Carrie Williams), H. Paul Doucet (Louis), Richard FreemanJoseph Guthrie (Hotel Porter), Walter Hale (Page Boy), Hale Hamilton (Jack Crompton), Paul Hanson (Policeman), Frank Kingdon (Thomas W. Sayre), Helen Macks (Check Girl), Martin Malloy (Welles), Mary Meehan (Cigarette Girl), Chester Morris (Val Parker), Daniel Pennell (Donaldson), Jose Rivas (Hotel Waiter), Selena Royle (Polly), Spencer Tracy (Jimmy Wilkes), Shirley Warde (Daisy Lingard), Jane Wheatley (Mrs. Sayre), Marjorie Wood (Jen Wilkes)
Commentaire:
Presse:
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Ouverture du "National Theatre" le 1er septembre 1921
